A Long Day’s Journey into Adolescence
In November of 1981 I was 12 years old (nearly 13) and living in Houston, TX. My favorite bands were Rush, AC/DC, Judas Priest, Styx, Queen, Van Halen, The Cars, Ozzy Osbourne, and several more that I can’t remember. Journey’s Escape was the #1 album in the country at the time and you couldn’t swing a dead cat in Houston without hitting someone blasting “Don’t Stop Believin’” or “Stone in Love” or “Open Arms” on their car stereo or “ghetto blaster” (hehehe). Though I wasn’t a huge Journey fan, especially of the wussy ballads such as the latter song, the former two songs were and continue to be among my favorite songs of all time, along with the title track from Escape, easily the best Journey song period. (Those who know me well might scoff at such a statement, however, as I have undoubtedly counted thousands of songs among my “favorites of all time” over the years. If hyperbole were a crime, I’d be doing time.)
So, back in those halcyon days there occurred a semi-regular argument in the Cole household regarding the appropriate age for an adolescent boy to attend his first rock concert. This argument flared up, not coincidentally, immediately upon every announcement of tickets going on sale for a performance by one of the above-mentioned bands, and it can be summarized like this: Me: “Mom, Dad, can I go and see AC/DC/Van Halen/Styx/Ozzy Osbourne?” Mom/Dad: “No, you’re too young.” This was repeated probably a dozen times before I reached the “age of consent” (14) and was finally allowed to see Rush (on the Signals tour) in March of 1983, albeit with my father as chaperone. (And no doubt my Dad was astonished to discover that complimentary joints and vodka were not given out as we passed through the turnstiles, and that random strangers didn’t force cocaine on me during the show.)
So while that Rush show was a seminal moment in my development into a music junkie, equally seminal in a reverse direction were the many shows which I was not allowed to attend: AC/DC on the For Those About to Rock tour, Van Halen on the Diver Down tour, Judas Priest on the Screaming for Vengeance tour, and the most painful of them all, Ozzy on the Diary of a Madman tour (with UFO opening!) only ONE MONTH before Randy Rhoads died!! (NOOOOOOOOOOOOOOOOOO!) Despite the fact that many of my friends were allowed to go to concerts at an early age (the name Mike Mayfield sticks in my mind as someone who managed to see every show I wasn’t allowed to go to!) my parents never wavered on that 14 number and there was simply nothing I could do to change things, other than to live long enough to turn 14.
What made missing these shows so painful was that seemingly everyone at Memorial Junior High, especially my buddies, showed up the following day wearing the kick-ass tour jersey from the previous night’s show. You know them, the baseball-style jerseys with the colored 3/4-length sleeves and cool graphics with the tour dates on the back. Each subsequent wearing by my friends was a reminder of the exact dates that I was miserable at home, my only solace being another spin of Moving Pictures on my Realistic turntable. This may all seem a bit silly but in the early 80’s in Houston, listening to music and going to concerts (and playing arcade games) were pretty much all my friends and I wanted to do. And I really remember how upset I was to miss these shows. Even after I saw that Rush show I remember missing several shows that I wanted to see, perhaps because they were on school nights. The Police, Def Leppard, and Van Halen on the 1984 tour come to mind. And I couldn’t have known this at the time, but coming of age as a hard rock fan in the early 80s I was right in the middle of the single best 5-year period of music ever (in my not-so-humble opinion). Albums released by all the above bands (and others) between 1980 and 1985 still comprise a huge chunk of what I listen to on any given day, regardless of whatever contemporary bands I happen to be into at the time. I just wish I’d been a little older back then or had parents who cared a bit less about their kids being exposed to second-hand pot smoke.
But back to 1981, and Journey. I REALLY wanted to go to the Journey show at the Summit, but it was not going to happen. Well, I dscovered something funny recently. Apparently this exact concert in Houston was filmed by MTV (which had launched just three months before the show) and was eventually shown on the channel, though I only vaguely remember seeing it broadcast way back when. Now, however, with record companies scrambling to make a buck on their back catalog, those MTV tapes have been dusted off and released as a DVD/CD set, Journey - Live in Houston 1981, The Escape Tour (1981). It actually came out last year but I only recently found out about it, and of course, I bought it immediately. According to the liner notes, the tapes went through an extensive remastering process and the sound was remixed to 5.1 channels, and the results are simply superb. I’ve got dozens of classic rock and metal concert DVDs and this one is easily in the top 5 in overall audio-visual quality. The sound is simply awesome. The song selection is awesome. The filming style is great, as it pre-dates the whole millions-of-two-second-edits trend - the camera actually stays on each performer for long stretches so you can really get a feel for being at the show. If you’re a Journey fan and especially if you’ve got a nice home theater with 5.1 sound, I highly recommend this DVD. You also get the concert on CD, all for $14.99, less than what you would have paid for a concert jersey at the show.
So I’d been meaning to write this blog entry for a few weeks now, but of course have not had the time. So today I happen to glance at SFGate and what do I see? A long article by Peter Hartlaub proclaiming that Escape is a fantastic album that still holds up after 25 years despite being flamed by critics since day one! My thunder has been stolen! Not only was it stolen, but this is one of the best record reviews I’ve ever read. I completely agree with everything this guy wrote, and at the risk of boring the last two people who may still be reading this, I’m going to quote my favorite excerpt, if only in hopes that having such witty writing on my blog may rub off on my future posts:
The album begins with “Don’t Stop Believin,’ ” a song that just may have magical properties within its opening piano signature. Seriously, lock yourself in a room right now and listen to that keyboard part 35 times in a row. Sick of it yet? If you said yes, then you’re a filthy liar.
Now here’s the mind-blowing part. As any serious “Escape” fan will tell you, that’s only the third- or maybe fourth-best track on the album. The next song, “Stone in Love,” is even better — and part of Journey’s master plan to tease you with a fast song, then a slow song (”Who’s Crying Now”), another fast one (”Keep on Runnin’ “) and another slow one (”Still They Ride”).
After that, you’ve reached “Escape,” a five-minute, 16-second track with only four intelligible phrases. (They are: “They won’t take me, they won’t break me,” “He’s on the streets breakin’ all the rules,” “I’ve got dreams I’m livin’ for” and “This is my escape, yes I’m on my way.”) And yet it still prevails as the best song on the album — maybe on any album.
Listening to the song “Escape” is the equivalent of getting a personal two-hour life-coaching session by Tony Robbins and then smoking PCP. Each time “Escape” finishes, I am completely convinced that I can dunk a basketball, break a 2-by-4 in half with my bare hands and eat 25 hot dogs in a minute.
As a former freelance rock journalist, I would have loved to have penned those words. Good stuff! The article also reminded me that Journey is a Bay Area band (Escape was recorded in Berkeley), and I moved to the Bay Area less than three years after that fateful Houston concert. Ironically my family landed in Lafayette, where Journey’s bass player Ross Valory happened to live at the time (and may still for all I know). I guess he had a little money and he built his own private street with a big house at the end. Maybe I should drive over there and see if he’ll sign my DVD case.
One last comment about the DVD: possibly my favorite feature is the crowd shots, thousands of teenagers in their red-sleeved tour jerseys, rocking out to “Stone in Love”, swaying to “Who’s Crying Now”. And if you look closely you can even see the ushers passing out beer and weed to all the underage kids! I guess Mom and Dad were right after all.





















